Chloe West, a visual artist originally from Cheyenne, Wyoming, and currently based in St. Louis, Missouri, draws profound inspiration from her Wyoming roots. Her figure paintings intricately explore the relationship between the human body and the vast Western landscape, creating a dialogue that is both personal and universal.

Homage to Wyoming: Beauty and Harshness

West’s artworks often depict herself within the Wyoming landscape, surrounded by collected objects from her hikes in the High Plains. This homage to her homeland reflects the duality of its beauty and harshness, offering viewers a glimpse into the unique environment that shaped her artistic vision.

References to Art History

In her work, West references various iterations of the female nude found throughout art history, particularly drawing from Flemish and Dutch painting traditions. Themes such as memento mori and vanitas paintings are subtly interwoven, prompting viewers to contemplate mortality and the transient nature of life. Moreover, West pays meticulous attention to the politics of looking, challenging traditional gazes and exploring the complexities of perception.

Confronting the Gaze and Celebrating Craft

Through her paintings, Chloe West seeks to acknowledge and confront the act of looking while simultaneously celebrating the craft of painting. Her artistic endeavors delve into historical tropes within painting, offering a nuanced examination of how visual narratives shape our understanding of identity, landscape, and human experience.

In essence, Chloe West’s artistic journey is a captivating exploration of identity, landscape, and the rich tapestry of art history. Her works invite viewers to contemplate the intersection of personal narratives with broader cultural themes, creating a space for introspection and appreciation of the artistic medium’s craftsmanship.

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Simon Keller

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