Christian Ruiz Berman, hailing from Mexico City, brings a rich and diverse artistic background shaped by his experiences in 11 U.S. states and four countries. His multidisciplinary practice, spanning painting, poetry, film, and sculpture, delves into themes of tentacularity, migration, adaptation, archeology, and the quest for joy and magic amidst complexity.

Exploring Hybridity and Interconnectedness

Berman’s artistic vision revolves around the idea of hybridity, remix, and entanglement. His series “necking,” currently exhibited at The Pit LA, exemplifies this exploration. The project blends erotic elements with imagery of long-necked water birds, drawing inspiration from diverse sources such as Japanese Shunga works, Mexican aesthetics, Latin American art deco, and 19th-century wildlife illustrations. Through these hybrid compositions, Berman captures the tensions and entanglements inherent in sensuality, relationships, and the broader human experience.

Embracing Nature’s Interdependence

A key theme in Berman’s work is the consideration of nature’s interconnectedness and interdependence. His paintings not only combine disparate elements but also symbolize the complex relationships within ecosystems. By intertwining human artifacts with natural imagery, Berman prompts viewers to reflect on the delicate balance between human existence and the natural world.

National and International Recognition

Christian Ruiz Berman’s art has garnered recognition both nationally and internationally, with numerous solo and group exhibitions showcasing his diverse body of work. In 2022 alone, he is scheduled to have three solo shows, highlighting the growing acclaim and interest in his artistic contributions.

In essence, Christian Ruiz Berman’s artistic journey is a celebration of hybridity, interconnectedness, and the boundless creativity that emerges from cultural intersections. His work invites viewers to embrace complexity, explore the beauty of entangled narratives, and find meaning in the intricate dance of life’s interconnected threads.

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Simon Keller

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